exquisite beauty of the scene at Wickford Harbor, where the boat was taken for Newport. The slow awaking of morning life scarcely disturbed its tranquillity. Sky and sea and land blended in a tone of refined gray. The shores were silvery, a silvery light came out of the east, streamed through the entrance of the harbor, and lay molten and glowing on the water. The steamer's deck and chairs and benches were wet with dew, the noises in transferring the baggage and getting the boat under way were all muffled and echoed in the surrounding silence. The sail- boats that lay at anchor on the still silver surface sent down long shadows, and the slim masts seemed driven down into the water to hold the boats in place. The little village was still asleep. It was such a contrast; the artist was saying to Marion, as they leaned over the taff- rail, to the new raw villages in the Catskills. The houses were large, and looked solid and respectable, many of them were shingled on the sides, a spire peeped out over the green trees, and the hamlet was at once homelike and picturesque. Refinement is the note of the landscape. Even the old warehouses dropping into the water, and the decaying piles of the wharves, have a certain grace. How graciously the water makes into the land, following the indentations, and flowing in little streams, going in and withdrawing gently and regretfully, and how the shore puts itself out in low points, wooing the embrace of the sea--a lovely union. There is no haze, but all outlines are softened in the silver light. It is like a dream, and there is no disturbance of the repose when a family party, a woman, a child, and a man come down to the shore, slip into a boat, and scull away out by the lighthouse and the rocky entrance of the harbor, off, perhaps, for a day's pleasure. The artist has whipped out his sketch-book to take some outlines of the view, and his comrade, looking that way, thinks this group a pleasing part of the scene, and notes how the salt, dewy morning air has brought the color into the sensitive face of the girl. There are not many such hours in a lifetime, he is also thinking, when nature can be seen in such a charming mood, and for the moment it compensates for the night ride. The party indulged this feeling when they landed, still early, at the Newport wharf, and decided to walk through the old town up to the hotel, perfectly well aware that after this no money would hire them to leave their beds and enjoy this novel sensation at such an hour. They had the street to themselves, and the promenade was one of discovery, and had much the interest of a landing in a foreign city. "It is so English," said the artist. "It is so colonial," said Mr. King, "though I've no doubt that any one of the sleeping occupants of these houses would be wide-awake instantly, and come out and ask you to breakfast, if they heard you say it is so English." "If they were not restrained," Marion suggested, "by the feeling that that would not be English. How fine the shade trees, and what brilliant banks of flowers!" "And such lawns! We cannot make this turf in Virginia," was the reflection of Mr. De Long. "Well, colonial if you like," the artist replied to Mr. King. "What is best is in the colonial style; but you notice that all the new houses are built to look old, and that they have had Queen Anne pretty bad, though the colors are good." "That's the way with some towns. Queen Anne seems to strike them all of a sudden, and become epidemic. The only way to prevent it is to vaccinate, so to speak, with two or three houses, and wait; then it is not so likely to spread." Laughing and criticising and admiring, the party strolled along the shaded avenue to the Ocean House. There were as yet no signs of life at the Club, or the Library, or the Casino; but the shops were getting open, and the richness and elegance of the goods displayed in the windows were the best evidence of the wealth and refinement of the expected customers --culture and taste always show themselves in the shops of a town. The long gray-brown front of the Casino, with its shingled sides and hooded balconies and galleries, added to the already strong foreign impression of the place. But the artist was dissatisfied. It was not at all his idea of Independence Day; it was like Sunday, and Sunday without any foreign gayety. He had expected firing of cannon and ringing of bells--there was not even a flag out anywhere; the celebration of the Fourth seemed to have shrunk into a dull and decorous avoidance of all excitement. "Perhaps," suggested Miss Lamont, "if the New-Englanders keep the Fourth of July like Sunday, they will by and by keep Sunday like the Fourth of July. I hear it is the day for excursions on this coast." Mr. King was perfectly well aware that in going to a hotel in Newport he was putting himself out of the pale of the best society; but he had a fancy for viewing this society from the outside, having often enough seen it from the inside. And perhaps he had other reasons for this eccentric conduct. He had, at any rate, declined the invitation of his cousin, Mrs. Bartlett Glow, to her cottage on the Point of Rocks. It was not without regret that he did this, for his cousin was a very charming woman, and devoted exclusively to the most exclusive social life. Her husband had been something in the oil line in New York, and King had watched with interest his evolution from the business man into the full- blown existence of a man of fashion. The process is perfectly charted. Success in business, membership in a good club, tandem in the Park, introduction to a good house, marriage to a pretty girl of family and not much money, a yacht, a four-in-hand, a Newport villa. His name had undergone a like evolution. It used to be written on his business card, Jacob B. Glow. It was entered at the club as J. Bartlett Glow. On the wedding invitations it was Mr. Bartlett Glow, and the dashing pair were always spoken of at Newport as the Bartlett-Glows. When Mr. King descended from his room at the Ocean House, although it was not yet eight o'clock, he was not surprised to see Mr. Benson tilted back in one of the chairs on the long piazza, out of the way of the scrubbers, with his air of patient waiting and observation. Irene used to say that her father ought to write a book--"Life as Seen from Hotel Piazzas." His only idea of recreation when away from business seemed to be sitting about on them. "The women-folks," he explained to Mr. King, who took a chair beside him, "won't be down for an hour yet. I like, myself, to see the show open." "Are there many people here?" "I guess the house is full enough. But I can't find out that anybody is actually stopping here, except ourselves and a lot of schoolmarms come to attend a convention. They seem to enjoy it. The rest, those I've talked with, just happen to be here for a day or so, never have been to a hotel in Newport before, always stayed in a cottage, merely put up here now to visit friends in cottages. You'll see that none of them act like they belonged to the hotel. Folks are queer. At a place we were last summer all the summer boarders, in boarding- houses round, tried to act like they were staying at the big hotel, and the hotel people swelled about on the fact of being at a hotel. Here you're nobody. I hired a carriage by the week, driver in buttons, and all that. It don't make any difference. I'll bet a gold dollar every cottager knows it's hired, and probably they think by the drive." "It's rather stupid, then, for you and the ladies." "Not a bit of it. It's the nicest place in America: such grass, such horses, such women, and the drive round the island--there's nothing like it in the country. We take it every day. Yes, it would be a little lonesome but for the ocean. It's a good deal like a funeral procession, nobody ever recognizes you, not even the hotel people who are in hired hacks. If I were to come again, Mr. King, I'd come in a yacht, drive up from it in a box on two wheels, with a man clinging on behind with his back to me, and have a cottage with an English gardener. That would fetch 'em. Money won't do it, not at a hotel. But I'm not sure but I like this way best. It's an occupation for a man to keep up a cottage." "And so you do not find it dull?" "No. When we aren't out riding, she and Irene go on to the cliffs, and I sit here and talk real estate. It's about all there is to talk of." There was an awkward moment or two when the two parties met in the lobby and were introduced before going in to breakfast. There was a little putting up of guards on the part of the ladies. Between Irene and Marion passed that rapid glance of inspection, that one glance which includes a study and the passing of judgment upon family, manners, and dress, down to the least detail. It seemed to be satisfactory, for after a few words of civility the two girls walked in together, Irene a little dignified, to be sure, and Marion with her wistful, half-inquisitive expression. Mr. King could not be mistaken in thinking Irene's manner a little constrained and distant to him, and less cordial than it was to Mr. Forbes, but the mother righted the family balance. "I'm right glad you've come, Mr. King. It's like seeing somebody from home. I told Irene that when you came I guess we should know somebody. It's an awful fashionable place." "And you have no acquaintances here?" "No, not really. There's Mrs. Peabody has a cottage here, what they call a cottage, but there no such house in Cyrusville. We drove past it. Her daughter was to school with Irene. We've met 'em out riding several times, and Sally (Miss Peabody) bowed to Irene, and pa and I bowed to everybody, but they haven't called. Pa says it's because we are at a hotel, but I guess it's been company or something. They were real good friends at school." Mr. King laughed. "Oh, Mrs. Benson, the Peabodys were nobodys only a few years ago. I remember when they used to stay at one of the smaller
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