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List Of Contents | Contents of Ten Years Later, by Alexandre Dumas, Pere
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hung heavily by his sides, and his head drooped as though he was
stupefied.  The king, who had from this moment become in reality the
principal dancer in the quadrille, cast a look upon his vanquished
rival.  De Guiche soon ceased to sustain even the character of the
courtier; without applause, he danced indifferently, and very soon could
not dance at all, by which accident the triumph of the king and of Madame
was assured.


Chapter XL:
The Nymphs of the Park of Fontainebleau.

The king remained for a moment to enjoy a triumph as complete as it could
possibly be.  He then turned towards Madame, for the purpose of admiring
her also a little in her turn.  Young persons love with more vivacity,
perhaps with greater ardor and deeper passion, than others more advanced
in years; but all the other feelings are at the same time developed in
proportion to their youth and vigor: so that vanity being with them
almost always the equivalent of love, the latter feeling, according to
the laws of equipoise, never attains that degree of perfection which it
acquires in men and women from thirty to five and thirty years of age.
Louis thought of Madame, but only after he had studiously thought of
himself; and Madame carefully thought of herself, without bestowing a
single thought upon the king.  The victim, however, of all these royal
affections and affectations, was poor De Guiche.  Every one could observe
his agitation and prostration - a prostration which was, indeed, the more
remarkable since people were not accustomed to see him with his arms
hanging listlessly by his side, his head bewildered, and his eyes with
all their bright intelligence bedimmed.  It rarely happened that any
uneasiness was excited on his account, whenever a question of elegance or
taste was under discussion; and De Guiche's defeat was accordingly
attributed by the greater number present to his courtier-like tact and
ability.  But there were others -  keen-sighted observers are always to
be met with at court - who remarked his paleness and his altered looks;
which he could neither feign nor conceal, and their conclusion was that
De Guiche was not acting the part of a flatterer.  All these sufferings,
successes, and remarks were blended, confounded, and lost in the uproar
of applause.  When, however, the queens expressed their satisfaction and
the spectators their enthusiasm, when the king had retired to his
dressing-room to change his costume, and whilst Monsieur, dressed as a
woman, as he delighted to be, was in his turn dancing about, De Guiche,
who had now recovered himself, approached Madame, who, seated at the back
of the theater, was waiting for the second part, and had quitted the
others for the purpose of creating a sort of solitude for herself in the
midst of the crowd, to meditate, as it were, beforehand, upon
chorographic effects; and it will be perfectly understood that, absorbed
in deep meditation, she did not see, or rather pretended not to notice,
anything that was passing around her.  De Guiche, observing that she was
alone, near a thicket constructed of painted cloth, approached her.  Two
of her maids of honor, dressed as hamadryads, seeing De Guiche advance,
drew back out of respect., whereupon De Guiche proceeded towards the
middle of the circle and saluted her royal highness; but, whether she did
or did not observe his salutations, the princess did not even turn her
head.  A cold shiver passed through poor De Guiche; he was unprepared for
such utter indifference, for he had neither seen nor been told of
anything that had taken place, and consequently could guess nothing.
Remarking, therefore, that his obeisance obtained him no acknowledgement,
he advanced one step further, and in a voice which he tried, though
vainly, to render calm, said: "I have the honor to present my most humble
respects to your royal highness."

Upon this Madame deigned to turn her eyes languishingly towards the
comte, observing.  "Ah!  M. de Guiche, is that you? good day!"

The comte's patience almost forsook him, as he continued, - "Your royal
highness danced just now most charmingly."

"Do you think so?" she replied with indifference.

"Yes; the character which your royal highness assumed is in perfect
harmony with your own."

Madame again turned round, and, looking De Guiche full in the face with a
bright and steady gaze, said, - "Why so?"

"Oh! there can be no doubt of it."

"Explain yourself?"

"You represented a divinity, beautiful, disdainful, inconstant."

"You mean Pomona, comte?"

"I allude to the goddess."

Madame remained silent for a moment, with her lips compressed, and then
observed, - "But, comte, you, too, are an excellent dancer."

"Nay, Madame, I am only one of those who are never noticed, or who are
soon forgotten if they ever happen to be noticed."

With this remark, accompanied by one of those deep sighs which affect the
remotest fibers of one's being, his heart burdened with sorrow and
throbbing fast, his head on fire, and his gaze wandering, he bowed
breathlessly, and withdrew behind the thicket.  The only reply Madame
condescended to make was by slightly raising her shoulders, and, as her
ladies of honor had discreetly retired while the conversation lasted, she
recalled them by a look.  The ladies were Mademoiselle de Tonnay-Charente
and Mademoiselle de Montalais.

"Did you hear what the Comte de Guiche said?" the princess inquired.

"No."

"It really is very singular," she continued, in a compassionate tone,
"how exile has affected poor M. de Guiche's wit."  And then, in a louder
voice, fearful lest her unhappy victim might lose a syllable, she said,
- "In the first place he danced badly, and afterwards his remarks were
very silly."

She then rose, humming the air to which she was presently going to
dance.  De Guiche had overheard everything.  The arrow pierced his heart
and wounded him mortally.  Then, at the risk of interrupting the progress
of the _fete_ by his annoyance, he fled from the scene, tearing his
beautiful costume of Autumn in pieces, and scattering, as he went along,
the branches of vines, mulberry and almond trees, with all the other
artificial attributes of his assumed divinity.  A quarter of an hour
afterwards he returned to the theater; but it will be readily believed
that it was only a powerful effort of reason over his great excitement
that enabled him to go back; or perhaps, for love is thus strangely
constituted, he found it impossible even to remain much longer separated
from the presence of one who had broken his heart.  Madame was finishing
her figure.  She saw, but did not look at De Guiche, who, irritated and
revengeful, turned his back upon her as she passed him, escorted by her
nymphs, and followed by a hundred flatterers.  During this time, at the
other end of the theater, near the lake, a young woman was seated, with
her eyes fixed upon one of the windows of the theater, from which were
issuing streams of light - the window in question being that of the royal
box.  As De Guiche quitted the theater for the purpose of getting into
the fresh air he so much needed, he passed close to this figure and
saluted her.  When she perceived the young man, she rose, like a woman
surprised in the midst of ideas she was desirous of concealing from
herself.  De Guiche stopped as he recognized her, and said hurriedly, -
"Good evening, Mademoiselle de la Valliere; I am indeed fortunate in
meeting you."

"I, also, M. de Guiche, am glad of this accidental meeting," said the
young girl, as she was about to withdraw.

"Pray do not leave me," said De Guiche, stretching out his hand towards
her, "for you would be contradicting the kind words you have just
pronounced.  Remain, I implore you: the evening is most lovely.  You wish
to escape from the merry tumult, and prefer your own society.  Well, I
can understand it; all women who are possessed of any feeling do, and one
never finds them dull or lonely when removed from the giddy vortex of
these exciting amusements.  Oh!  Heaven!" he exclaimed, suddenly.

"What is the matter, monsieur le comte?" inquired La Valliere, with some
anxiety.  "You seem agitated."

"I! oh, no!"

"Will you allow me, M. de Guiche, to return you the thanks I had proposed
to offer you on the very first opportunity?  It is to your
recommendation, I am aware, that I owe my admission among the number of
Madame's maids of honor."

"Indeed!  Ah!  I remember now, and I congratulate myself.  Do you love
any one?"

"I!" exclaimed La Valliere.

"Forgive me, I hardly know what I am saying; a thousand times forgive me;
Madame was right, quite right, this brutal exile has completely turned my
brain."

"And yet it seemed to me that the king received you with kindness."

"Do you think so?  Received me with kindness - perhaps so - yes - "

"There cannot be a doubt he received you kindly, for, in fact, you
returned without his permission."

"Quite true, and I believe you are right.  But have you not seen M. de
Bragelonne here?"

La Valliere started at the name.  "Why do you ask?" she inquired.

"Have I offended you again?" said De Guiche.  "In that case I am indeed
unhappy, and greatly to be pitied."

"Yes, very unhappy, and very much to be pitied, Monsieur de Guiche, for
you seem to be suffering terribly."

"Oh! mademoiselle, why have I not a devoted sister, or a true friend,
such as yourself?"

"You have friends, Monsieur de Guiche, and the Vicomte de Bragelonne, of
whom you spoke just now, is, I believe, one of the most devoted."

"Yes, yes, you are right, he is one of my best friends.  Farewell,
Mademoiselle de la Valliere, farewell."  And he fled, like one possessed,
along the banks of the lake.  His dark shadow glided, lengthening as it
disappeared, among the illumined yews and glittering undulations of the
water.  La Valliere looked after him, saying, - "Yes, yes, he, too, is
suffering, and I begin to understand why."

She had hardly finished when her companions, Mademoiselle de Montalais
and Mademoiselle de Tonnay-Charente, ran forward.  They were released

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